BPM 2020/1: The First Serbian Ski Jumper – From Hand-made Slopes to the Winter Olympics – Vladimir Živojinović

May 8, 6 pm
Kuća Legata / Heritage House
Knez Mihailova 46, Belgrade

Curated by David Pujadó

For the past year I’ve been following the extraordinary story of Nikola Stevanović, a 15-year old boy who is convinced he will be the first Olympic ski jumper from Serbia. He and his dedicated father have sacrificed everything to fulfil this dream.
Building handmade tracks, training on makeshift slopes with no gove-rnment support, the two are pursuing the Olympic dream despite the enormous sacrifices.
The father and son have let me into their lives and allowed me to see not just their unique training, but their personal lives in Serbia and now in Slovenia also, where Nikola is enrolled in school and is now training on the mountains.
I intend to follow them in preparation for the 2022 Olympics and present this early work for your consideration.
www.vladimirzivojinovic.com

IMPORTANT:
Please note that due to the Covid-19 situation nobody can enter the Gallery without wearing a mask as required by the Rep of Serbia regulations.

Visiting hours:
Tue – Fri / 14 – 19h
Sat – Sun / 12 – 15h

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BPM 2020/1: Astronaut – Matej Milenković

May 8, 6 pm
Kuća Legata / Heritage House
Knez Mihailova 46, Belgrade

The encounter with oneself is an inevitable act in any artistic creation. For a young person, that encounter is vague, uncertain and often elusive. Even during his studies at the Academy of Arts in Belgrade, Matej Milenković often searched for his own self in an attempt to understand, define and creatively present it. Through a system of trial and error, he came up with interesting and bold solutions that always revealed little, but suggested much more. Following the premise of the famous ancient poet Horace that the image is poetry without words, his photographs communicate on an associative, but never descriptive level. Most of the photographic series are accompanied by his poetic writings, which, along with the visual rhythm of the photographs, create the unity of image and word, sublimating a small narrative – something like a film sketch. Part of the exhibition is a video work for which the music was written by Aleksandar Ranđelović.

Matej also borrows fiction from film language, which he uses to talk about each of us in his series of photographs Astronaut, in search of the invisible, inaccessible, beyond the rational understanding of his own self, which tries to realise its existence within itself and the world around us. That endeavor in the beginning was doomed to failure because the realisation itself would mean the end. The end of the search, the question, the path. Isolated in a spacesuit, listening to his own breath, narrowed vision and limited movements, Astronaut moves in his own world, but is still deeply envious of everything that surrounds him, of everything that addresses him. Matej reduces this environment to two primary aspects – nature and faith. On the given and the culture. On what makes us human.

Curated by Ivana Tomanović
Professor, Academy of Arts, Novi Sad

IMPORTANT:
Please note that due to the Covid-19 situation nobody can enter the Gallery without wearing a mask as required by the Rep of Serbia regulations.

Visiting hours:
Tue – Fri / 14 – 19h
Sat – Sun / 12 – 15h

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BPM 2020/1: Unspoken – Lorena Ros

May 8, 6 pm
Kuća Legata / Heritage House
Knez Mihailova 46, Belgrade

Unspoken brings together portraits and testimonies of women and men from Spain, the United States and Mexico, who have suffered sexual abuse during childhood by family members, trusted people, priests and respected members of their community. For six years, Lorena Ros maintained a close relationship with these individuals. Through photographs and recordings of their testimonies, she encouraged them to share in public their traumatic experiences. In addition to this, she portrayed the places where the survivors suffered their abuse.

According to a study of Adverse Childhood Events, in western societies, 25% of women and 13% of men have been victims of sexual abuse before reaching the age of 17. Child sexual abuse is a crime that knows no socio-economic or cultural boundaries. What people who have suffered abuse have in common is guilt and the conviction instilled in them by their abusers that what happened should be kept secret. Although abuse is frequent and widespread, talking about it was taboo until a few years ago. Even today, after the Me Too movement aroused in western societies a global wave of awareness against the sexual harassment and sexual assault of women, in the rest of the world the issue is still shrouded in shame and its victims remain silent, forced to face their trauma and pain over and over again.
Curated by Natasha Christia

This exhibition has been organised through the essential support of Institut Ramon Llull that supports artist mobility, by which Catalan artist Lorena Ros is able to participate in Belgrade Photo Month Festival.

IMPORTANT:
Please note that due to the Covid-19 situation nobody can enter the Gallery without wearing a mask as required by the Rep of Serbia regulations.

Visiting hours:
Tue – Fri / 14 – 19h
Sat – Sun / 12 – 15h

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BPM 2020/1: From the photo cycle Calm Night – Marija Ćalić

May 8, 6 pm
Kuća Legata / Heritage House
Knez Mihailova 46, Belgrade

The foundation for the series Calm Night comes from the writings of Samuel Beckett, renowned for revealing the dark truths of human beings through the structure of sentence, rhythm and voice, as well as the scene settings. Through descriptions of the modern world and the individual, he emphasises the absurdity of general existence. This was the reason for my photographs to provide a transformative dimension, where that visible world turns into a realm that exists around us, but is invisible at first glance. Nature is transformed into a threat, spaces are not what they are intended for and they are not visited by those who are to be expected. The possibility of creating such images through his text and language were the inspiration for my photographic-collage procedures. The photographs are built as images of both a visible and imagined world. They are the parts of a wider cycle that is emerging and whose outcome cannot be predicted.

IMPORTANT:
Please note that due to the Covid-19 situation nobody can enter the Gallery without wearing a mask as required by the Rep of Serbia regulations.

Visiting hours:
Tue – Fri / 14 – 19h
Sat – Sun / 12 – 15h

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BPM 2020/1: State Funeral, Funeral of One State – Imre Szabó

May 4, 7pm
Kvaka 22
Ruzvelltova 39, Beograd


“With the death of Josip Broz “Tito”, (born in Kumrovec in Austro-Hungary, now known as Croatia, on May 7th, 1892), in Ljubljana (Yugoslavia, today’s Slovenia) on May 4th, 1980, one country also died. A state that was as unnatural as many others, and which, by glorifying old values, was an extension of the old Kingdom of Yugoslavia, but which, as often happens, had a limited lifespan.
Yugoslavia represented the centre of cultures and religions, a meeting place, a crossroads of three different cultural and social entities. It was part of the two largest forces from the end of the last millennium, but eventually fell victim to the two most powerful forces of the 20th century. It was a battlefield, over and over again. Yugoslavia: the dream of the intellectual elite and the dream of a key figure of the 20th century who could not survive it.
Tito was a statesman and a strong defender of his ideals. He was relentless towards those he believed to be traitors. The carpet, under which he hid all his problems, had a name and it was called Goli Otok (Naked Island). He was one of the founding members of the Third Way. On his initiative and on the initiative of the Indian Prime Minister Jawaharlal Nehru, in 1961 a Non-Aligned Movement was born in Belgrade, together with Egypt, Ghana and Indonesia. He never accepted subordination to Stalin and his satellite states, but he also did not hesitate to attack the American fleet when necessary.
The state funeral of the autocrat and Marshall was the largest until the funeral of Pope John Paul II in 2005. It was attended by four kings, thirty-one state presidents, six princes, twenty-two prime ministers and forty-seven foreign ministers from one hundred and twenty-eight different countries of the one hundred and fifty-four that made up the UN. What many believed would happen happened: At the time of the final sealing of his mausoleum, they left Yugoslavia inside… exactly 40+1 years ago.”

Imre Szabó, a photographer born in 1956 in Yugoslavia, is one of the most renowned photojournalists of his generation in the entire former Yugoslavia. It could be said that he was self-taught, although he never missed a single hour of photography at the Faculty of Dramatic Arts, Belgrade, but always only as an observer. He started working as a photo reporter in Ilustrovana Politika at the age of 23, and a year later when aged 24, Tito’s death occurred. Ilustrovana Politika did not accredit him as a reporter for the state funeral but he set out to cover Tito’s funeral on his own initiative. Without access to the best locations and considering the equipment available to him at the time, he did a great job for which he was later recognised, and a part of which is exhibited here and published in various publications. In 1989, which was another key year for Europe with the fall of the Berlin Wall, he started working for the daily Politika newspaper and later as a photography editor for Nin magazin from 1995, when he also began his independent work. He also covered the war in the Balkans, mostly for the German magazine Stern. Among other things, he has had photos published in newspapers such as Focus, Spiegel, Le Monde, L’express, Time, Newsweek, Herald Tribune and Le Nouvelle Observateur.
He has participated in over 200 exhibitions, among which it is worth mentioning: Light and Shadows on the Balkans, Belgrade (2009), Bucharest (2010), Istanbul (2010) and Ankara (2010); participation in the exhibition Lessons from ’91, which included his works from the wars of the disintegration of Yugoslavia in the 1990s (2016 and 2017) in Zagreb, Belgrade, Berlin and Maribor; and recently a solo exhibition Devedesete (Nineties), where his war themed works were exhibited in Užice, Belgrade, Mokrin, Kragujevac, Niš, Paraćin, Valjevo and Maribor (Slovenia) as part of The Festival of Photography Maribor (2018 and 2019).
Curated by David Pujadó i Puigdomènech
The exhibition will run until 24th May, 2021

IMPORTANT:
Please note that due to the Covid-19 situation nobody can enter the Gallery without wearing a mask as required by the Rep of Serbia regulations.



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Don Quijote

BPM 2020/1: Don Quijote – Katarina Marčetić

April 23. 7pm
Radisson Collection Hotel, Old Mill Belgrade
Bulevar vojvode Mišića, Beograd
“In her series of photographs Don Quixote, Katarina Marčetić, through a documentary lens, captures the backstage space at the National Theater in Belgrade during the vivid performance of the famed ballet.
Delicate and subtle, these photographs convey their beauty through the multiplicity of prominent contrasting relationships, both formally through their elegant execution, and through the illustrative narrative they reveal.
The specificity of these relationships arises from the opposition of light and shadow, movement versus rest, the juxtaposition of symbolically opposite motifs such is performance (theatre) to real life, and finally, the illusion to reality. The all-encompassing mobility of silhouettes and figures seems to constantly strive to break through to the other side, regardless of whether it is a matter of scenery or reality.
Before us, Katarina Marčetić’s photographs reveal very vivid, compelling, almost phantasmal representations between truth and illusion.
They show a dynamic ambience imbued with dream-like qualities, while maintaining stability grounded in reality through documentary photography.”
Tijana Savatić
Exhibition by Бартcелона POP UP in collaboration with the Radisson Collection Old Mill Hotel and part of the Belgrade Photo Month Festival and With the support by the Embajada de España en Serbia
The exhibition will run until 18tn May, 2021.



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BPM 2019: Mandić, Kukić, Peternek – Dimensions

April 11, 8PM
Dorćol Platz
Dobračina 59b, 11000 Belgrade, Serbia

Photo collective “3 Lenses”

Informal photo collective “3 Lenses” has existed for over 4 years. During this time the project “Travels” has been exhibited in 24 locations throughout Serbia.
“Dimensions” is a new exhibit, created specifically for Belgrade Photo Month. The focus of this project is the observation and questioning of reality, time and persistence.
This project consists of chosen photographs from the 1960’s until the present time, divided into three independent chapters, each curated by individual authors.

Tomislav Peternek is presenting part of his collection: “World of Imagination”, which was presented for the first time in Belgrade in 1972, during “Salon fotografije”.
The author used black and white film, to derive colour photos, separating specific shades of grey, and by doing so, he abstracts already abstract reality.

Goran Kukić is impressed by traces of time found in grooved stone boulders. Time shapes everything.

Igor Mandic is presenting a part of his collection “Pinpointed” which
sheds light on the weight and gravitational pull of non-material, distorted projection of real shape in its own shadow… with a goal of provoking the questioning of perception of reality.


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BPM 2019: Akademija Umetnosti Beograd – Cyanotype

April 15, 7PM
Bartcelona Gallery
Čumićeva, 11000 Belgrade, Serbia

In December 2018, in the photography and camera department at the Academy of Arts, a workshop was held on the 19th century photographic cyanotype process. Uglješa Dapčević, a graduate cinematographer and expert on traditional photographic procedures, led the workshop. A dozen students, along with one professor and two associates, studied the process of cyanotype and produced about fifty photographs using this technique. Photos created by the cyanotype technique are specific in their indigo blue colour, which varies from intense dark, almost black-and-blue colours to
gentle pastel blue tones created by potassium and iron. The beauty of this procedure is not only in the incredible blue colour achieved, but also in the simplicity of the process.

Students applied knowledge gained from the workshop to their own
photographic projects, especially adapted to this photographic technique.

Each of the exhibited series is a unique combination of their artistic
aspirations and topics they explore, as well as the specificities of the
cyanotype technique.

The exhibition will include works by: Marina Ilić, Matej Milenković, Katarina Ćuk, Lazar Vučković, Miloš Golubović, Marina Čabarkapa, Teodora Tomić, Tamara Antonović, Matija Munjiza Petrović and Miodrag Trajković.

The organiser of the workshop and curator of the exhibition is associate professor Ivana Tomanović.


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BPM 2019: 50 PIŠEM, 202 Pamtim! Photo-history of „Radio Belgrade 202”

April 15, 6PM
Biblioteka grada Beograda
Knez Mihailova 56, 11000 Belgrade, Serbia

“Radio Belgrade 202 – Half a Century On Top (Tito couldn’t do better!)”

On the occasion of fifty years of Radio Belgrade 202, we present some interesting moments and people, whose photos evoke the history of the radio station that is so different from the others.

On June 27th, 1969, Radio “Twohundredtwo” went on air for the first time. From that day, the station has been recognisable by its cult radio show, broadcasting, playing the best music, its prominent hosts, themes suitable for people of all ages and its constant interaction with listeners.

Radio Belgrade 202 is the first radio station which went out of the studio and made live coverage in the field, often in unusual places (on planes, trams, caves, Ada Ciganlia, stadiums, concert halls, etc.). It has grown into the only radio station which broadcasts continuously the best concerts of leading local and foreign bands and organises performances by the greatest and the most promising local musicians. “Radio for listening and watching”, the old motto from the time of the first programmes out of the studio, today
gets a new dimension through photographic and video content on social networks and the RTS Planeta platform.

The exhibited photographs represent fragments from the first 50 years of Radio Belgrade 202 and reveal the essence of the station. Along with archived Radio Balgrade photos we are presenting the collection of photos by Marina Pesic “Signed out of time”, who impeccably combines the Radio Belgrade 202 program and rock photography.

Exhibition will finish on 30/4/2019


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BPM 2019: Catalin Marin – Concrete, glass and steel monuments

April 13, 12PM
Radisson Collection Hotel, Old Mill Belgrade
Bulevar Vojvode Mišića 15, 11000 Belgrade, Serbia

Exhibition from 13/4/2019 to 30/4/2019

In my day to day photography career I get hired by clients to photograph beautiful buildings and the spaces they create, yet I still keep an eye out for structures I find interesting in all the places I get to travel to.

This particular series of images includes a collection of my favourite
buildings I have photographed throughout the Middle East and Asia,
ranging from the famous Burj Khalifa in Dubai, United Arab mirates,
topping out at 828 metres to the less famous, but equally beautiful Palace of Peace and Reconciliation in Astana, Kazakhstan.

With the support by Radisson Collection Hotel, Old Mill Belgrade and Ambasada Romaniei Serbia


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